Singer Phuong Thanh surprised everyone by returning to the screen for Tet 2026 with the role of a shrewish, often physically abusive wife in the film "Dream House".
People's Artist Quoc Anh asserted that he is very charming, even when he was young and now, at nearly 70 years old, he still receives flirtatious messages from fans.
The singer of "Can't Be Together Forever" has just released her music video "Tet, Distance Becomes Closer," featuring six content creators who have been admired by the community over the past year.
Familiar faces from "Meeting at the End of the Year" such as Tu Long, Cong Ly, Xuan Bac, Van Dung, Quang Thang, Duy Nam, Trung Ruoi... reunited to discuss the script and rehearse.
People's Artist Tu Long admits that he likes money but is hesitant to deal with financial matters, so he leaves all matters related to performance fees to Xuan Bac for negotiation and decision.
The final episode in the "Tet Talks" series of Lunar New Year stand-up comedy concluded with speakers Sam and Tuan Kiet delivering a smooth and entertaining exchange for the audience.
Xuan Nghia, the younger brother of comedian Xuan Hinh, will play the role of a fortune teller in the Lunar New Year comedy film "The Young Master with a Comma".
"I consider vulgar Lunar New Year comedies to be cultural garbage and an insult to those who work in the profession with integrity," director Bui Tho Thinh shared.
"A film involves dozens, even hundreds of people, has a press conference, a premiere, and media coverage—it's not just a tiny grain of sand that the regulatory body doesn't know about, doesn't censor, and doesn't speak up about," shared comedian Chien Thang.
Associate Professor Bui Hoai Son, Director of the Vietnam National Institute of Culture and Arts, affirmed that vulgar, nonsensical, and sexually suggestive Lunar New Year comedy films distort the development of social morality.
"In Lunar New Year comedy films, romance is exaggerated to a ridiculous and offensive degree, making many people feel like they're watching a pornographic film," shared artist Giang Coi.
Creating something labeled as a vulgar Lunar New Year comedy that's no different from cheap pornography, to the point that viewers turn away in shame, would the director and actors dare to show it to their children and grandchildren?
Besides familiar actors like Vinh Xuong, Thanh Hoa, and Kim Anh, "The Chess Game 6" also brings together some of the most popular and promising faces today, such as Mac Van Khoa and Mr. Can Tro - Xuan Nghi.
The comedy series "Chôn Nhời" was released over the past four Lunar New Year seasons, but just as the fifth installment was about to be produced, its creator, director Phạm Đông Hồng, suddenly passed away.
Artists Xuan Hinh, Quoc Anh, Minh Hang, Tra My, and singers Trong Tan and Tan Nhan all expressed their shock upon hearing the news of director Pham Dong Hong's death on September 15th.
People's Artist Quoc Anh has played womanizing roles and had intimate scenes with young female actresses, but this Lunar New Year season, he affirms that he has been more restrained.
Many Lunar New Year comedies feature scenes of wealthy men lusting after women, engaging in inappropriate physical contact, and wearing revealing clothing… The overuse of "hot" scenes has made this genre increasingly boring and offensive.
On the night of December 3rd, Meritorious Artist Chi Trung unexpectedly posted a picture of the Táo Quân (Kitchen Gods) show beforehand, along with the caption: "This year, I'm not sure I'll be able to reunite with my colleagues."
Meritorious Artist Thanh Thanh Hien shared: "After all these years, I still want the image of me and Mr. Hinh to remain intact in the hearts of the audience, just like in the beginning when we were all so shy and awkward."
The 2016 Lunar New Year comedy film "Chôn Nhời 3" by director Phạm Đông Hồng remains true to the folk comedy style and features familiar actors such as Quốc Anh, Quang Thắng, etc.
The 2016 Lunar New Year comedy film "Returning," directed by Pham Dong Hong, tells the story of modern times being transported back to the past, with many humorous plot twists.
With their simple, honest nature as farmers, and their limited understanding, Xung and Suong could not tolerate the luxurious life of the city and wanted to return to their own lives.
Chôn Nhời 2 continues to criticize corruption, the buying and selling of positions and power, and the oppression of ordinary people during the feudal era.